Instrumental Concertos of D. Shostakovich: the Problem of Genre and Concept

Rechenko M.A.

In connection with the entry into force of the new edition of the nomenclature of scientific specialties, the journal is included in the List of peer-reviewed scientific publications in which the main scientific results of dissertations for the degree of Candidate of Sciences, for the degree of Doctor of Sciences, in the following scientific specialties should be published: 5.6.1. National history (historical sciences); 5.6.2. General history (historical sciences); 5.6.5. Historiography, source studies and methods of historical research (historical sciences); 5.7.7. Social and political philosophy (philosophical sciences); 5.7.8. Philosophical anthropology, philosophy of culture (philosophical sciences); 5.7.9. Philosophy of religion and religious studies (philosophical sciences); 5.9.5. Russian language. Languages of the peoples of Russia; 5.9.8. Theoretical, Applied and Comparative Linguistics (Order of the Ministry of Education and Science of the Russian Federation dated February 1, 2022 No. 33-r).

Instrumental Concertos of D. Shostakovich: the Problem of Genre and Concept

Rechenko M.A.

(Stavropol)

Instrumental concerts of D. Shostakovich we consider in this article as an innovative phenomenon. Author characterized are their basic concepts (reconciliation conception, game conception, tragic conception). The following convergence concert with the symphoni dramaturgiey. Features a double portrait expressed in terms of the monogram and performing resourse destination.

Keywords

concert, dialogue, conception, tragedy, game, double portraits

Full text of any article (in Russian) you can find
in the printed version of the journal or on RSCI website.