Neogothic and “Pseudo-Tatar” Styles in Architecture of Golitsyn’s Palace in Gaspra
Author had been made trying to observe one of the most interesting instances of the palatial architecture in Crimea of eclecticism A. N. Golitsyn’s palace in Gaspra. Synthesis of Neogothic and Tatar units in architecture of the palace is analysed. Paying attention to philosophical, literary, artistic and aesthetic aspects of process the formation of style. Necessity of further inquiry and conservation of unique monuments of the palatial architecture which is the relevant link of architectonic inheritance is shown.
architecture of Crimea, palatial architecture, eclecticism.