Again Oblomov: Tragedy or Idyl?


(Rostov-on-Don)

The article investigates the fictional paradoxicality of Goncharov’s ‘Oblomov’ as an aesthetically meaningful interaction between two types of conceptual and emotional content: the idyllic and the tragic. The merging of the two can manifest itself as a substantial point of the text that spurs conflicting interpretations, which arise with the text’s historical existence.
Goncharov, Oblomov, the tragic, the idyllic, fictional paradoxicality, unity between the tragic and idyllic

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