Again Oblomov: Tragedy or Idyl?
The article investigates the fictional paradoxicality of Goncharov’s ‘Oblomov’ as an aesthetically meaningful interaction between two types of conceptual and emotional content: the idyllic and the tragic. The merging of the two can manifest itself as a substantial point of the text that spurs conflicting interpretations, which arise with the text’s historical existence.
Goncharov, Oblomov, the tragic, the idyllic, fictional paradoxicality, unity between the tragic and idyllic