p.
107
Frontline Team Stavropol Drama Theatre during the World War II
DOI 10.18522/2072-0181-2015-84-4-107-111
The article aims to sanctify the activities of the Stavropol theatre frontline teams are created by the drama of
Stavropol. The history of the development of the Stavropol Academic Drama Theatre. M.Yu. Lermontov in the historical
literature is not new, however so far very few works devoted to Stavropol frontline theatrical collectives. Their coverage
was done through a General study of the history and art of the Great Patriotic War. By analyzing a large empirical
material recovered conditions of formation and the creation of a front of the drama theatre of G. of Voroshilovsk
(Stavropol), recreated the composition and activities of theatre ensembles on the 1st Belarusian and 2nd Baltic fronts of
the war. The analysis of the sources quoted in the article, shows that theatre teams at the front were an indispensable
attribute of the inspiration of the personnel of the Soviet army in the fi ght against fascism, their, specially-selected
repertoire served as a tuning fork, in which soldiers have set up your soul. Actors, speaking at the front, the creative
word, the vivid way in supporting the soldiers of the Soviet army, contributing to the liberation of his native land from
the fascist enslavers. To front-line teams was required in war time: mobility, willingness and ability to perform in close
proximity to the front line. They traveled to hot spots and in spite of that supported soldiers. All this allows showing
that the activities of theatre ensembles in the great Patriotic war should not be forgotten.
The article aims to sanctify the activities of the Stavropol theatre frontline teams are created by the drama of
Stavropol. The history of the development of the Stavropol Academic Drama Theatre. M.Yu. Lermontov in the historical
literature is not new, however so far very few works devoted to Stavropol frontline theatrical collectives. Their coverage
was done through a General study of the history and art of the Great Patriotic War. By analyzing a large empirical
material recovered conditions of formation and the creation of a front of the drama theatre of G. of Voroshilovsk
(Stavropol), recreated the composition and activities of theatre ensembles on the 1st Belarusian and 2nd Baltic fronts of
the war. The analysis of the sources quoted in the article, shows that theatre teams at the front were an indispensable
attribute of the inspiration of the personnel of the Soviet army in the fi ght against fascism, their, specially-selected
repertoire served as a tuning fork, in which soldiers have set up your soul. Actors, speaking at the front, the creative
word, the vivid way in supporting the soldiers of the Soviet army, contributing to the liberation of his native land from
the fascist enslavers. To front-line teams was required in war time: mobility, willingness and ability to perform in close
proximity to the front line. They traveled to hot spots and in spite of that supported soldiers. All this allows showing
that the activities of theatre ensembles in the great Patriotic war should not be forgotten.
World War II, frontline team, the Drama Theater, Stavropol, Actors