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The Concept of “Movement” as a Linguistic Component of Russian Paintings in the World (Current State and Problem of Study)


(Taganrog Institute named by Anton Chekhov (Branch of the University) RSUE)

Introduction: The article analyzes the main areas of the linguistic study of the concept of “movement”.
Purpose: The purpose of the article is the characteristic of actual aspects of the linguistic study of the concept of movement. The article analyzes and summarizes the scientifi c literature on this subject. The prospects for further study of the language means implementing the concept of “movement” are outlined.
Methods: Methods of analysis and synthesis of the accumulated linguistic experience of study of language means with the semantics of movement are used.
Results: Different approaches to the study of language means of the concept of “movement” implementation are differentiated: the structural approach, the lingvopoetical analysis and the approach from the position of cognitive linguistics.
Conclusion: The article demonstrates the necessity of paying detailed attention to the problems of use of the words with the semantics of movement in the language of Russian literature.
concept, semantics, picture of the world, cognitive linguistics, literary language, verb, contextual interaction, philological analysis of the text

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