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Artistic Trace of Humanistic Motives of N.A. Nekrasov in the Caucasian Poetry of the 19th–20th Centuries


(Secondary school in Kizlyar district, Republic of Dagestan)

Purpose: The artistic trace of the humanistic motives of N.A. Nekrasov in the Caucasian poetry of the 19th–20th centuries, in particular the ideas of salvation, brotherhood and love for one’s neighbor.
Methods: Analytical and comparative-comparative methods of material analysis.
Results: Analysis of the works of Caucasian poets R. Patkanyan, O. Hovhannisyan, N. Zoemleteli, K. Khetagurov, S. Gabiyev allows us to assert that not only Nekrasov’s civil ideas infl uenced their creativity, but a considerable artistic trace in the works of Caucasian poets was left by humane, Christian Motifs of N.A. Nekrasov. We have established that the infl uence of the humanistic motives of the poet’s lyrics is determined at the level of poetic syntax, the tonality of the works of Caucasian poets, in the artistic model of texts and spiritual appeals for love, brotherhood and humanity.
Discussion: Our article raises the controversial issue of adherence or non-adherence to NA. Nekrasov to revolutionary methods of reorganization of man and society. The idea that the notion of Nekrasov as a revolutionary
poet is false and that in his lyrics, along with liberation ideas, an important place is occupied by the humanistic ideas of love for one’s neighbor and that they are the defi ning ones.
compassion, humanistic motives, ethics, forgiveness, love, humane, brotherly unity

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