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Thanatological motifs of N.A. Nekrasov's lyrics in Caucasian poetry 19th–20th
The article examines the problem of the influence of artistic tatatology Nekrasov on the lyrics of Caucasian poets of the 19th–20th centuries.
The object of the study are some poems by A. Tsereteli, V. Pshaveli, P. Duryan, S. Gabyeva, K. Khetagurov. In Nekrasov's work, thanatological problems occupy a large place, beginning with the early lyrics, but the Russian poet communicates the death questions with important life and social issues that are significant in a person's life (loss of friends, suicide due to lack of rights and poverty, physical and moral suffering).
The death code of Nekrasov's poetry, received a significant response in the Caucasian lyrics of the 19th–20th centuries, is deciphered in the following positions:
a) the existential motives for thinking about death caused by a physical trauma of a physical ailment;
b) an interest in the discourse of thanatology, the cause of which is the consciousness of impotence to change the life of the people.
Considering the level and significance of the influence of Nekrasov's tanatological motifs on Caucasian poetry, the author comes to the conclusion about the multilevel and multifaceted influence of Nekrasov's creativity on Caucasian poetry that the intertextual roll of Nekrasov's tanatologic problems with Caucasian texts is realized both on the existential and on the motivational level.
Although the poems of Caucasian poets undergo significant transformation in the process of assimilating another's word (Nekrasov), but Nekrasov's mortal code is the substratum on which poems of Caucasian poets were created on the theme of themes.
The object of the study are some poems by A. Tsereteli, V. Pshaveli, P. Duryan, S. Gabyeva, K. Khetagurov. In Nekrasov's work, thanatological problems occupy a large place, beginning with the early lyrics, but the Russian poet communicates the death questions with important life and social issues that are significant in a person's life (loss of friends, suicide due to lack of rights and poverty, physical and moral suffering).
The death code of Nekrasov's poetry, received a significant response in the Caucasian lyrics of the 19th–20th centuries, is deciphered in the following positions:
a) the existential motives for thinking about death caused by a physical trauma of a physical ailment;
b) an interest in the discourse of thanatology, the cause of which is the consciousness of impotence to change the life of the people.
Considering the level and significance of the influence of Nekrasov's tanatological motifs on Caucasian poetry, the author comes to the conclusion about the multilevel and multifaceted influence of Nekrasov's creativity on Caucasian poetry that the intertextual roll of Nekrasov's tanatologic problems with Caucasian texts is realized both on the existential and on the motivational level.
Although the poems of Caucasian poets undergo significant transformation in the process of assimilating another's word (Nekrasov), but Nekrasov's mortal code is the substratum on which poems of Caucasian poets were created on the theme of themes.
thanatological, code, Caucasian poetry, motif, figurative, discourse, intertextual, roll call, influence, mortal, suicide, response